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Architect Ludwig Mies van der Rohe’s innovative and reduced approach is still influencing international architecture today. As a furniture designer, he also had a decisive influence on the development of the cantilever chair.

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“Less is more” – hardly any other sentence has characterised modern design as much as this one. Ludwig Mies van der Rohe was not only an architect, but also a thinker of space. His clear, minimalist design language became the epitome of modernism – even today. Learn more

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1926 saw the launch of the architectural collective “Der Ring” with members including Walter Gropius and Ludwig Mies van der Rohe. That same year, Ludwig Mies van der Rohe designed the most beautiful chair of the century with a single brushstroke: the Weißenhof Chair. A year later, in 1927, it was displayed at the Weißenhof exhibition in Stuttgart. In 1985 Stefan Wewerka described it as “the most beautiful ‘chair construction’ since the throne of Charlemagne.” The first sketches were influenced by the gas tube chair without hind legs created by the architect Mart Stam. Sergius Ruegenberg reminisced on the birth of the Weißenhof chair in 1985: “Mies returned from Stuttgart in November 1926 and told us about Mart Stam and his chair concept. We had a drawing board on the wall, on which Mies sketched the Stam chair; rectangular, starting from the top.” View product

D42
Ludwig Mies van der Rohe
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